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- Originaltitel : The Day After Tomorrow
- Filmtitel in Ihrem Land : The Day After Tomorrow
- Jahr der Film : 2004
- Genres des Films : Action, Abenteuer, Science Fiction, Thriller,
- Status-Film : Released
- Ver�ffentlichungsdatum : 2004-05-26
- Die Unternehmen der Film : Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema,
- L�nder Film : United States of America,
- Sprache des Films : English, 日本語, Français, العربية, Español,
- Durasi Of film : 124 Min
- Stimme durchschnittlich : 6.2
- Youtube ID des Films : Ze8Gshk53Y8
- �bersetzung von Film : BG,CA,CS,DA,DE,EL,EN,ES,FI,FR,FR,HE,HU,ID,IT,JA,KO,NL,NO,PL,PT,PT,RO,RU,SR,SV,TH,TR,UK,ZH,ZH,
- Filmbesetzung :John Maclaren (Veteran Scientist), Russian Astronaut), Russell Yuen (Hideki, Christopher Britton (Vorsteen), Glenn Plummer (Luther), Emmy Rossum (Laura Chapman), Michel 'Gish' Abou-Samah (Saudi Translator), Perry King (President Blake), Sasha Roiz (Parker), Jay O. Sanders (Frank Harris), Nestor Serrano (Gomez), Kenneth Welsh (Vice President Becker), Jake Gyllenhaal (Sam Hall), Carl Alacchi (Venezuelan Delegate), Adrian Lester (Simon), Tamlyn Tomita (Janet Tokada), Dash Mihok (Jason Evans), Mimi Kuzyk (Secretary of State), Kenneth Moskow (Bob), Nassim Sharara (Saudi Delegate), Arjay Smith (Brian Parks), Christian Tessier (Aaron), Richard Zeman (Flight Director), Dennis Quaid (Jack Hall), Japanese Astronaut), Austin Nichols (J.D.), Ian Holm (Terry Rapson), Sela Ward (Dr. Lucy Hall), Vitali Makarov (Yuri
0319262
The Day After Tomorrow die richtige film hergestellt von Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema, mit einem Beschreibung des Films "Lange prognostiziert, setzen sie plötzlich innerhalb kürzester Zeit weltweit ein, gewaltige Naturereignisse, die eine neue Eiszeit einläuten: Hagelstürme in Tokio, Schneefälle in Indien, Tornados über Los Angeles. Endlich reagiert auch die Regierung und evakuiert alle US-Bürger der südlichen Staaten nach Mexiko, während man mangels Zeit alle anderen dem sicheren Kältetod überlässt. Einzig Klimaforscher Jack Hall kämpft sich durch Blitzeis und Schnee nach Norden, denn sein Sohn sitzt in der New Yorker Bibliothek fest.". Der Film wurde mit hervorragenden grafischen Qualit�t hergestellt, beste Ohr Platzen Klangqualität und Beste mit Schauspielern.
Sie sind jetzt und wo Sie in der beobachten : The Day After Tomorrow von Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema, in Top-Video-Format knowning, dass es wirklich braucht, um sein freigegeben als Teil der Land. Zugriff auf Ihre Favoriten sofort movie, Verwendung der dr�cken einer Maus! das schließt ein uneingeschr�nkt Grße Bandbreite und Inhalte zu streamen, zu beobachten was Sie suchen, wenn du willst!
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Script Supervisor : Sophie Boyer, Assistant Property Master : Eric Bardin, Set Designer : Steve Cooper, Lighting Technician : Stéphane Byl, Sculptor : Lucie Fournier, Producer : Mark Gordon, Sound Mixer : David O. Daniel, Assistant Art Director : Camille Parent, Helicopter Camera : Steve Hertler, Set Designer : Hugo Santiago, Color Timer : Michael Eaves, Stunt Coordinator : Branko Racki, Sound Engineer : John Bires, Second Unit Cinematographer : Tom Yatsko, Executive Visual Effects Producer : Marc Sadeghi, Stand In : Martin Brisebois, Visual Effects Producer : Todd Isroelit, Orchestrator : Frank Bennett, Author : Roland Emmerich, Camera Operator : Gary L. Camp, Key Costumer : Valerie T. O'Brien, Construction Coordinator : Rejean Brochu, Executive Producer : Stephanie Germain, Finance : Linda Strause, Co-Producer : Thomas M. Hammel, CG Supervisor : Hans Uhlig, Makeup Effects : George Tucci, Makeup Effects : Adrien Morot, Stunt Coordinator : Charlie Brewer, Technical Supervisor : Irfan Celik, Visual Effects Editor : Nicolas Anastassiou, Associate Producer : Kim H. Winther, First Assistant Director : Kim H. Winther, Director : Roland Emmerich, Software Engineer : Chamberlain Fong, Makeup Artist : Sharon Ilson, Costume Supervisor : Kenn Smiley, Craft Service : Chris Winn, First Assistant Editor : Quincy Z. Gunderson, Visual Effects Producer : Jody Echegaray, Production Sound Mixer : Douglas J. Schulman, 3D Artist : Zack Judson, Sound Re-Recording Mixer : Doug Hemphill, Electrician : Paul Postal, Construction Coordinator : Alain Brochu, Utility Stunts : Nick Brandon, Stunts : Marcello Bezina, Visual Effects Producer : Casey Conroy, Visual Effects Producer : Petra Holtorf, Camera Operator : Eric Goethals, Video Assist Operator : Julie Garceau, Key Hair Stylist : Janis Clark, Visual Effects Art Director : Alexander Laurant, Art Department Assistant : Una Martin, Visual Effects Editor : Michael Cavanaugh, Digital Intermediate : Lorene Simpson, Costume Design : Renée April, Executive Producer : Ute Emmerich, Gaffer : Logan Leabo, Makeup Artist : Elisabeth Fry, Visual Effects Supervisor : Ian Hunter, Set Designer : Karl J. Martin, Scenic Artist : Donald Beaulieu, Loader : Amelie Duceppe, Executive In Charge Of Production : Vanessa R. Jordan, Key Makeup Artist : Kathryn Casault, Visual Effects Supervisor : Karen E. Goulekas, Grip : Joost Clerinx, CG Supervisor : Sean Andrew Faden, Producer : Roland Emmerich, Art Direction : Réal Proulx, Supervising Sound Editor : Larry Kemp, Techno Crane Operator : Richard Boucher, Construction Coordinator : Michel Brochu, Chief Lighting Technician : Jean Courteau, Associate Producer : Lawrence Inglee, Best Boy Electric : Edison Jackson, Art Direction : Tom Reta, Casting Assistant : Bryan Riley, Production Design : Barry Chusid, Camera Operator : Bill O'Drobinak, Rigging Gaffer : Frank Dorowsky, Sound Recordist : Chris Walmer, Conductor : Blake Neely, Set Designer : Frédéric Amblard, Executive Producer : Kelly Van Horn, Storyboard : Timothy Burgard, Boom Operator : Timothy P. Salmon, Digital Effects Supervisor : Bryan Grill, Visual Effects Supervisor : Jerry Spivack, Sound Recordist : Tim Gomillion, Location Manager : Céline Daignault, Script Supervisor : Kim Berner, Set Decoration Buyer : Stacy Weddington, Set Designer : Vincent Gingras-Liberali, Special Effects : Neil Corbould, Dolly Grip : Alain Masse, Propmaker : Patrice Jacques, Production Accountant : Manon Lapointe, Hairstylist : Réjean Forget, Transportation Captain : John Bober, Unit Production Manager : Joe Dishner, Rigging Grip : Richard Complaisance, Foley : Glenn T. Morgan, Art Department Coordinator : Nancy A. King, Creature Technical Director : Vijay Myneni, Art Direction : Gerald Sullivan, Second Assistant Director : Erik Ajduk, 3D Animator : Jeremy F. Butler, Roto Supervisor : Stephanie Taubert, Second Unit Cinematographer : Anna Foerster, Production Illustrator : Michael Meier, Hairstylist : Sandy DeBlasio, Transportation Coordinator : Daniel Matthews, Utility Sound : Schavaria Reeves, Makeup Effects : C.J. Goldman, Hairstylist : Kathryn Powell, Visual Effects Supervisor : Remo Balcells, Author : Jeffrey Nachmanoff, Sound Effects Editor : Michael Kamper, Production Manager : Daniel Auclair, Sculptor : Andrew Semple, First Assistant Editor : Robert Berman, Visual Effects Supervisor : Conny Fauser, Casting Associate : Scott David, Leadman : David M. Milstien, Dialogue Editor : Daniel S. Irwin, Casting : Randi Wells, Sequence Leads : Jason Iversen, Digital Compositors : Sean Apple, Key Grip : Marc Andrus, Lighting Supervisor : Chris Wells, Art Direction : Martin Gendron, CG Supervisor : Dagan Potter, Steadicam Operator : Francois Archambault, Transportation Co-Captain : Spiro Tsovras, Visual Effects Supervisor : Chris Watts, Pre-Visualization Supervisor : Daniel Fort, Camera Operator : Peter Hutchison, Set Decoration : Victor J. Zolfo, Original Music Composer : Thomas Wanker, ADR & Dubbing : Derek Casari, I/O Supervisor : Ryan Beadle, Sound Recordist : Jon S. Trebilcock, Visual Effects Producer : Mike Chambers, Visual Effects : Kristen Branan, Post Production Supervisor : Jeffrey Harlacker, Sound Designer : Harry Cohen, Negative Cutter : Gary Burritt, Matchmove Supervisor : Alia Agha, Property Master : Denis Hamel, Visual Effects Supervisor : Colin Strause, Digital Producer : Andra Bard, Set Designer : Caroline Alder, Property Master : Claire Alary, Line Producer : Tavin Marin Titus, 24 Frame Playback : Marie-Pierre Tétreault, Location Manager : Lily Flaschner, Set Designer : Alex Touikan, Pilot : Al Cerullo, CG Supervisor : Andrew Waisler, Construction Foreman : Eric Lafrance, Set Designer : Stephanie Gilliam, Visual Effects Supervisor : Richard Britton, Supervising Art Director : Claude Paré, Camera Technician : Steven J. Winslow, Camera Loader : Charlie Newberry, Makeup Effects : Sylvania Yau, Lighting Artist : David B. Menkes, Visual Effects : Diane Macke, Sound Designer : Alan Rankin, Production Coordinator : Danielle Boucher, Set Production Assistant : Mariana Acuña Acosta, ADR Editor : Kerry Dean Williams, Director of Photography : Ueli Steiger, Set Decoration : Paul Hotte, Third Assistant Director : Paul Drouin, Camera Operator : Alfonso Maiorana, First Assistant Sound Editor : Victor Ray Ennis, Still Photographer : Kerry Hayes, Location Manager : Kenneth E. Fix, Music Editor : Bob Beher, Editor : David Brenner, Rigging Gaffer : Gilles Fortier, Visual Effects Producer : Michael Meagher, Visual Effects Supervisor : Rocco Passionino, Visual Effects Supervisor : Greg Anderson, Musician : Maria Newman, Still Photographer : Takashi Seida, Assistant Production Coordinator : Guylaine Boucher, Set Medic : Jean Marchand, Construction Coordinator : Bruce Di Valerio, Animation Supervisor : Danny Gordon Taylor, Sound Designer : Ann Scibelli, First Assistant Camera : Michel Bernier, Sound Recordist : Dennis Rogers, Camera Operator : Francois Archambault, CG Supervisor : David Prescott, 3D Supervisor : Rina Strause, Visual Effects Coordinator : Erica Headley, Driver : Chris Haynes, Carpenter : Jane Kilkenny, Post Production Assistant : Jeff Schweikart, Original Music Composer : Harald Kloser, Music Editor : Emanuele Arnone, Set Costumer : Arlynn Abseck, Casting : Andrea Kenyon, Costume Coordinator : Lyse Pomerleau, Camera Operator : Georgia Packard, Modeling : Yoshiya Yamada, Local Casting : Cate Praggastis, Visual Effects Supervisor : Greg Strause, Art Direction : Michele Laliberte, Visual Effects : Michael Leung, Set Dresser : Louis Dandonneau, Steadicam Operator : Gary L. Camp, Systems Administrators & Support : Joe Ardent, Casting : April Webster, Costume Supervisor : Robert Q. Mathews, Unit Publicist : Joe Everett, Special Effects Supervisor : Louis Craig, Visual Effects Producer : Raoul Bolognini, Painter : Gloria Ciraolo, Unit Manager : Paul Boutin, Transportation Coordinator : Javier Gunther, Dialogue Editor : James Matheny, Sound Designer : Randy Kelley, Supervising Sound Editor : Mark P. Stoeckinger
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Schlagw�rter: saving the world, library, cataclysm, climate change, greenhouse effect, tornado, twister, hurricane, hail, temperature drop, ice age, polar zone, meteorology, gulfstream, barrier ice, ice melting, third world, exodus, evacuation, climate, government, snow, los angeles, scientist, doomsday, antarctic, disaster movie,
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